VICTORIA FRINGE!
Aug 24 – Sep 4
5 BOOKMARKS Performances / $15
The Baumann Centre (925 Balmoral Road)
TICKETS ARE ONLY AVAILABE ONLINE
(there won’t be any for sale at the door)
–– Click above for tickets ––
and here for the Victoria Fringe.
The Times Change(d) High and Lonesome Club, 234 Main St., Winnipeg, MB
For the TIMES CHANGE(D) HIGH & LONESOME CLUB 22nd ANNIVERSARY WEEKEND, Corin Raymond returns to Winnipeg with a concert-size set of songs and stories to kick off the celebrations! Doors 7 pm / Show 8 pm. Limited seating – 100 tickets only. On sale now at Eventbrite (link below). Bahoozbah!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
The Rheos are playing THREE nights at the 'Shoe: Thurs, Nov 24th (Guest Vocalist Night) / Fri, Nov 25th (Melville Night) / Sat, Nov 26th (Whale Music Night). Corin opens the third show, and will be joined by Matt Coldwell on upright bass and East Van guitar player Noah Walker – flying out from Vancouver solely for this occasion. Doors 8:30 pm.
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
The Acoustic Grill is a special place and Corin is heart-warmed and reminded of why he does this for a living EVERY TIME he gets to play here. He'll be joined by guitarist Mike T. Kerr and multi-instrumental songbird Treasa Levasseur. Doors 7 pm / Showtime 8 pm. Call the Acoustic Grill to reserve: 613-476-2887.
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One Up Room (above the Royal Oak), 1 Beechwood Avenue, Ottawa, ON
Corin Raymond returns to OTTAWA after three years, in the company of inimitable guitar player Mike T. Kerr, for two sets of open-hearted songs and stories. Presented by Jim Conboy. 7 pm doors / 8 pm show.
Singer/storyteller Corin Raymond has been playing 6-8 pm Thursdays at the Cameron House for 17 years; well, 17 and a 1/2, if you wanna get technical about it. The lineup: CORIN RAYMOND, emoting from his Canadian-as-fuck repertoire of original songs along with covers you've never heard, but should; BRIAN KOBAYAKAWA, who when he's not touring with Serena Ryder or Jill Barber is killing it on upright bass in the "red-velvet twilight"; MIKE T. KERR, as impossibly-talented a guitar player as he is a one-of-a-kind human being; and TREASA LEVASSEUR, on piano and accordion, singing like a songbird and lighting the place up like a Christmas tree. Speaking of which, "Christmas lights and booze" sums up the vibe at the Cameron. As for what to expect? Corin's banter is fast and loose, the music's warm and wooden, and the audiences are the nicest people around, from near and far. Best two hours you can spend in Toronto on a Thursday. Pay What You Can (you can never pay what they're worth). 'Nuff said!
This is a locally much-beloved annual extravaganza which will feature a hot house band and upwards of 30 acts sharing a spectacular celebration of Vancouver talent –– and I've been invited to join them! More details will be available on socials soon...
Opening set by LINDSAY ROBERTSON.
I'll be joined by Noah Walker on guitar, Michael Rush on upright bass, and Mike Simpsonelli on drums. I couldn't hope for a sweeter East Van trio to have with me.
730 pm doors / 8 pm show. $22/adv (incl. fee), $25/door.
Magic GUARANTEED.
But you know that.
This is not a drill.
Corin
$22 incl. fee in adv. / $25 at the door
Kiwanis Performing Arts Centre, 10401 – 10th Street, Dawson Creek, BC
BOOKMARKS + music / $25 adv / $30 door BOOKMARKS (approx 60 mins) will be followed by a set of songs with Corin Raymond accompanied by Noah Walker and Naomi Shore Tickets at door or by calling the box office at 250 782 9325
$25 adv / $30 door
Bruised Orange Productions presents: Corin Raymond w/ Naomi Shore 630 pm doors / 7 pm show / $25 Reserve by e-transfer to bruisedorange22@gmail.com
6 pm doors / 630 pm show / $25 RSVP: Nicholas.Dormaar@alumni.unbc.ca or call (250) 640-7830
Contact Shara for details at robsonvalleyfestival@gmail.com
The physical album package is 80 pages of beauty, featuring liner notes, chords and lyrics to the songs, as well as 19 paintings by Travis Charuk (like the one you see of Corin on the cover). Gorgeous design and layout by Pearl Rachinsky.
This "coffee-table CD" consists of a 144-page hardcover book and two CDs. 20 songs by songwriters from across Canada (including Corin himself), stories about where the songs were found and who the artists are, the words and chords to every song, and 57 pictures. Basically, liner note heaven.
Corin Raymond's 2009 of release There Will Always Be A Small Time went to #5 on the Roots Charts in the States, was nominated by the Independent Music Awards for Best Story Song ("Blue Mermaid Dress") and won the People's Choice for Alternative Country Album. The album features songs like "Better Him Than Me," "I Wish I Was In Love," "Paid To
Corin Raymond's 2009 of release There Will Always Be A Small Time went to #5 on the Roots Charts in the States, was nominated by the Independent Music Awards for Best Story Song ("Blue Mermaid Dress") and won the People's Choice for Alternative Country Album. The album features songs like "Better Him Than Me," "I Wish I Was In Love," "Paid To Party," and the anthemic title track, "There Will Always Be A Small Time."
Acoustic songwriting duo, draws from American Blues, R&B, Gospel, Ragtime and Country to create their own brand of of Canadian "folk music theatre".
Gorgeous handcrafted 20 oz stein, bevelled and finessed together seamlessly from twenty pieces of cherry wood. Stained and finished with hemp oil. Each order comes with a bottle of hemp oil, for future upkeep, along with stein-care instructions. Album title burned into the wood, with "Album Release 2016" on the underside.
Initialled by Alex Ferri,
Gorgeous handcrafted 20 oz stein, bevelled and finessed together seamlessly from twenty pieces of cherry wood. Stained and finished with hemp oil. Each order comes with a bottle of hemp oil, for future upkeep, along with stein-care instructions. Album title burned into the wood, with "Album Release 2016" on the underside.
Initialled by Alex Ferri, of Mystic Wood, the maker of these little vessels of beauty.